I finally saw A Dog's Breakfast.
Sep. 23rd, 2007 12:06 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
icarusI finally saw A Dog's Breakfast.
Anybody wanna buy a DVD? Only partially used?
Yes, that's right. About halfway through the movie![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
wildernessguru started complaining, "This is really bad."
I said, "Wait. Hang on. People have said it's funny."
Ten minutes later... "This is really bad."
"I'm bored," I admitted. And cringed, trying to explain. "I find have no sympathy for these characters."
He said, generously, "Every actor is in a bad movie from time to time. He [David Hewlett] was really good in serious movies. Like that one where he was in a tree."
"Treed Murray."
"Yeah. That was great." (He doesn't know ADB was written and directed by DH.)
I said, not as generously given DH wrote this, "The writing was better in that one. Here, the characters have been written deliberately weird, and I find I don't care about any of them."
We got as far as the scene where the DH's character was in the basement, chastising the dog. Then we clicked it off.
I thought the camera work was self-conscious but good (my favorite shot was how it kept returning to that ugly brown house -- I don't know why that cracked me up). Definitely this movie is a director's "toy."
The acting was okay, not brilliant, definitely a bunch of people throwing something together on their weekend and not trying hard. DH oversells his role. Paul McGillion was okay, I couldn't see much difference between his role here and Doctor Beckett. Kate I really liked, she played it lightly but there was a richness to her delivery that was just a little bit serious, like she was weary of her brother's antics. But then the script was just mean to DH's character, cutting away any empathy I'd have for any of them.
The score was professional, well-timed, not overbearing, fit the subject well -- the sound mixing expert.
The problem is the script. It's very common to make one of three mistakes in ones first original character "creations":
1) A Mary Sue, self-insert.
2) A bland Everyman.
3) A character overloaded with quirks (usually done to avoid the first two).
David went through door number three.
The pacing in the beginning was slow, wallowing in the main character's OCD. Without a spoiler or two you didn't get a feeling for where the story was headed until late. There wasn't a good hook. The dialogue had snap and all the actors had good comic timing. But it kept coming back to, wow, I don't care about these people. I keep feeling like we needed some explanation of what was going on with DH's character, or we needed to start somewhere we could empathize -- like with Kate, chivvying her fiance out the door, trying to explain her brother and not being able to.
Then, the plot, well. I'll finish the movie sometime before I make a final statement about the plot. But as far as I got, I kept thinking, "I've seen this before. This is a live action version of a Road Runner cartoon and DH's character is Wile E. Coyote -- with less arrogance and more mental disorders."
wildernessguru's summation is simpler. "It was stupid. DH was constantly sweating and running around like a chicken with its head cut off, taking everything seriously. It's been done to death. A joint and being half-drunk wouldn't make it funny."
Anybody wanna buy a DVD? Only partially used?
Yes, that's right. About halfway through the movie
wildernessguru started complaining, "This is really bad." I said, "Wait. Hang on. People have said it's funny."
Ten minutes later... "This is really bad."
"I'm bored," I admitted. And cringed, trying to explain. "I find have no sympathy for these characters."
He said, generously, "Every actor is in a bad movie from time to time. He [David Hewlett] was really good in serious movies. Like that one where he was in a tree."
"Treed Murray."
"Yeah. That was great." (He doesn't know ADB was written and directed by DH.)
I said, not as generously given DH wrote this, "The writing was better in that one. Here, the characters have been written deliberately weird, and I find I don't care about any of them."
We got as far as the scene where the DH's character was in the basement, chastising the dog. Then we clicked it off.
I thought the camera work was self-conscious but good (my favorite shot was how it kept returning to that ugly brown house -- I don't know why that cracked me up). Definitely this movie is a director's "toy."
The acting was okay, not brilliant, definitely a bunch of people throwing something together on their weekend and not trying hard. DH oversells his role. Paul McGillion was okay, I couldn't see much difference between his role here and Doctor Beckett. Kate I really liked, she played it lightly but there was a richness to her delivery that was just a little bit serious, like she was weary of her brother's antics. But then the script was just mean to DH's character, cutting away any empathy I'd have for any of them.
The score was professional, well-timed, not overbearing, fit the subject well -- the sound mixing expert.
The problem is the script. It's very common to make one of three mistakes in ones first original character "creations":
1) A Mary Sue, self-insert.
2) A bland Everyman.
3) A character overloaded with quirks (usually done to avoid the first two).
David went through door number three.
The pacing in the beginning was slow, wallowing in the main character's OCD. Without a spoiler or two you didn't get a feeling for where the story was headed until late. There wasn't a good hook. The dialogue had snap and all the actors had good comic timing. But it kept coming back to, wow, I don't care about these people. I keep feeling like we needed some explanation of what was going on with DH's character, or we needed to start somewhere we could empathize -- like with Kate, chivvying her fiance out the door, trying to explain her brother and not being able to.
Then, the plot, well. I'll finish the movie sometime before I make a final statement about the plot. But as far as I got, I kept thinking, "I've seen this before. This is a live action version of a Road Runner cartoon and DH's character is Wile E. Coyote -- with less arrogance and more mental disorders."
wildernessguru's summation is simpler. "It was stupid. DH was constantly sweating and running around like a chicken with its head cut off, taking everything seriously. It's been done to death. A joint and being half-drunk wouldn't make it funny."
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no subject
Date: 2007-09-23 02:53 pm (UTC)We all turned it off about halfway through, and that's because we realized it was actually ruining our evening of boozing and we weren't even enjoying our wine anymore.
no subject
Date: 2007-09-24 10:10 am (UTC)The Starcrossed snippets made me howl. I just started chortling, red-faced, face in my hands. "My golden stranger" -- oh God, I'm dying.
I'll finish it at some point. WG was philosophical about the movie, with an "every actor is in a dud sometime" attitude... until he learned DH wrote and directed it. After that he started killing the movie.
I'm still cracking up. I mean, I don't think anyone will admit if it's a dog (so to speak) because so many have invested so much into it, sight unseen. But hell, I'll support a new indie director on principle, even if I don't like his work.
Maybe Joe can write the next script.
Icarus